The Walls are Caving In and I Don't Believe in Them Anymore, 2022
Motorized optical illusion, found door hardware, wood, light · 28¼ × 33 × 11¾ inches
Dan Zimmerman
The Walls are Caving In and I Don't Believe in Them Anymore, 2022
Motorized optical illusion, found door hardware, wood, light · 28¼ × 33 × 11¾ inches
clusterf*ck, 2012
Canvas, wood, magnifying glasses, mirrors, flashlights, slide photographs, televisions · Dimensions variable
In Solidarity: The Workers of the World, 2013
Projector, MATLAB, sound, interactive globe with light sensor · Dimensions variable
PxlVision
Plexiglass mirror, flashlight, magnifying glass, slide photograph · Dimensions variable
inVisible Persons (Projections from the Drop-In and Stories from Boyle Street), 2020–2022
Digital video, large-scale building projection, documentary video
Tactical Compassion
Social practice, mixed media
Soft Gallery, 2021–2026
Independent artist-run gallery, curatorial project · 9'4" × 10' footprint, 6' ceiling height
wâwâhtêwa Art Gallery, 2025
Independent gallery, curatorial project · 9'4" × 10' footprint, 6' ceiling height
He/Him · Based in Paris, France, since Aug 2026 (previously Edmonton, AB, Canada, Amiskwâcîwâskahikan, Treaty 6 Territory)